A promising new talent, pianist and composer Thomas Nickell has already garnered recognition for energetic, refined, and focused performances in music centers throughout Europe and the United States. In a few short years, Mr. Nickell has given public performances of important works by Bach, Beethoven, Berg, Gershwin, Khachaturian, Liszt, Mozart, Rachmaninoff, as well as his own compositions.
This season, Mr. Nickell gave a solo recital at SubCulture and appeared as soloist in Chicago with Mina Zikri and the Oistrakh Symphony of Chicago. In June 2018, Mr. Nickell made his Zankel Hall at Carnegie Hall debut with the Oistrakh Symphony, performing Beethoven’s Second Piano Concerto, Liszt’s Totentanz, and giving the world premiere of his own composition, “Innisfree.” Of the performance, Roriane Schrade of New York Concert Review wrote:
A highlight of his Beethoven, and perhaps the entire concert, was the hallowed Adagio movement. Mr. Nickell is unafraid of extremes of softness and slowness, and he savors the heart-stopping lulls more than many players. Thus, where Beethoven marked con gran espressione, Mr. Nickell maximized the moment, creating such a spell of quietude that one found oneself glowering at a neighboring audience member for breathing too loudly...
Mr. Nickell’s own composition, “Innisfree”...revealed the influence of Cowell and possibly Crumb in its extended techniques, all while expressing a mood of meditation and mystery that seems to reflect the beginnings of his own individual style. One eagerly awaits hearing his future compositions” (June 8, 2018).
During the summer of 2017, Mr. Nickell embarked on a tour of the United Kingdom with the Orchestra of the Swan and Artistic Director David Curtis, continuing his collaboration with the highly regarded Stratford-upon-Avon Orchestra, which began in 2015. Tour performances took place in Stratford-Upon-Avon, Litchfield, and London featuring selections from Gershwin, Copland, and Dvorak.
In February 2015, Mr. Nickell made his official debut at Weill Recital Hall at Carnegie Hall as soloist with the Orchestra of the Swan. The program featured the United States premiere of England’s prominent composer David Matthews’ Piano Concerto, Op. 111. Mr. Nickell gave the London premiere of the Matthews’ work with the same forces in July 2016. Michael Miller of New York Arts praised the performance:
At 18, Thomas Nickell, even in a world populated by numerous prodigies who began to play in public at very young ages, still deserves to be considered a young, emerging artist, and this concert showed him to be a notably mature and tasteful one. [...] Mr. Nickell played [Mozart’s Piano Concerto in No. 12] with the finely articulated passagework and crystalline tone that has become a sort of lingua franca in Mozart playing on modern instruments. ...Nickell was able to use it to give us a winning and persuasive performance. Having won us over with this Mozart, Nickell proceeded to amaze us with Olivier Messiaen’s exquisite early preludes for piano, still evocative of works Debussy was writing fifteen years earlier, but imbued with a fiery mysticism that is Messiaen’s own. Nickell’s beautiful tone in the higher registers served the composer’s moods and atmosphere well, and he avoided over-pedaling. He most definitely had his own concept of these pieces, and his freedom from the more obvious clicheìs was impressive” (March 26, 2017).
David La Marche of New York Concert Review was also highly enamored of the performance: “Musicians such as Thomas Nickell and the Orchestra of the Swan, who place integrity and enjoyment above all else, are a rarity and a pleasure to encounter. I hope to hear them again soon” (March 4, 2017).
2016-17 season engagements for Mr. Nickell included recitals in Italy and an appearance as a special guest artist at the tenth Annual ABC Gala at Carnegie Hall.
During the summer of 2016, Mr. Nickell appeared in recital in London and made his debut as soloist with the Cheltenham Symphony Orchestra, under the baton of David Curtis. He participated in recital at the 53rd Festivale Pianistico di Brescia e Bergamo in Mozzo, Italy, and played additional recitals in Bergamo, Milan, and Busseto, Italy during the spring of 2016. Previously, he was heard as soloist with the Orchestra Fiati di Ancona in Osimo and Ancona, Italy, and made his recital debut in Leoìn and Madrid, Spain; Venice and Bologna, Italy; and Somianka and Warsaw, Poland. In 2014, Nickell travelled to Japan to perform recitals in Fujisawa and Tokyo. Mr. Nickell has appeared as soloist with Poland’s Sinfonia Viva under Tomasz Radziwonowicz.
Mr. Nickell is currently enrolled at the New School, Mannes College of Music, studying piano with J Y Song. Mr. Nickell, who makes his home in New York City, likes to paint in his spare time and enjoys photography, the occasional foray into writing, and reading non-fiction, especially about composers.
Saturday, September 28, 2019
Church of the Savior, Paramus, NJ, 7:30 PM, Solo Recital
Sunday, November 3, 2019, 4:00 PM
Sheely Center for the Performing Arts, Northwood Symphony, Mina Zikri, Conductor
Monday, April 20, 2020, 7:00 PM
The Annual ABC Gala, Carnegie Hall
Boston, US. 24 March, 2018, Four Seasons Hotel
Chicago, US. April 13, 2018, Jones College Prep
Chicago, US. April 14, 2018, Garfield Park Conservatory
Chicago, US. April 15 , 2018, Women's Athletic Club
New York, US. June 3, 2018, Zankel Hall at Carnegie Hall
Stratford ArtsHouse, Stratford-upon-Avon, UK. 15 July 2017 Lichfield Festival, Lichfield, UK. 12 July 2017
Chiesa di Santa Maria di Portonovo, Portonovo, Italy. 27 May 2017
Thomas Nickell is only 19 years old, but already has a phenomenal control of the piano and an ever increasing reputation as a player’s player and composer. He joined the orchestra for a reading of one of George Gershwin’s better known pieces, Rhapsody in Blue. From the opening, technically demanding clarinet part, to the fleet piano playing, this was music making of the highest calibre. Read More >>
(Ben McNair, Lichfield Live)
On Nickell’s performance of the Beethoven Second Piano Concerto
Halfway through the first movement, I realize I must have forgotten to exhale: the music is flying by me, with its now-familiarity; and I am not concentrating.... Thomas’ self-penned Kadenz –playing to his percussive strength and love of the bottom quarter of the keyboard...is a stunning demonstration of strength and imagination–and perhaps provides us with an impression of the young Beethoven conspicuously improvising (the skill he was most famous for, at the time of the first performance). Read More >>
(Stephen Ward, the Bard of Tysoe)
Ascoltare Bach, Liszt o l’inarrivabile Rachmaninov popolarmente assurto a emblema di virtuosismo, incontrati (e non affrontati, giacché non vi è alcun affronto alla loro opera) da Nickell è una scoperta continua alla ricerca del sospiro, dell’attesa, del. Read More >>
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Manuel de Falla, Ritual Fire Dance
George Gershwin, Rhapsody in Blue
Barry Alexander: email@example.com
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